On
Dave's first trip to Europe, he made a stop at the Frankfurt convention in Germany.
There he met Elvia Iannaccone from Italy. She wrote for Tattoo Planet, a Euro
tattoo mag. This first came out only as an import magazine, and was hard to find.
The very next issue, it became a domestic magazine and was printed in English.
Of course, it was after the issue Dave was in. But we managed to get a
back issue in English. Dave remembers Elvia continually asking him to take off
his shirt for some photos....hmmmm...also, this article loses a little in the
translation from Italian to English... |
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DAVE WAUGH By Elvia Iannaccone At the Frankfurt convention I got the chance to meet Dave Waugh-from "Little Vinnie's Tattoos"-who's in the middle of a world tour that has so far stopped at Houston, Detroit, Tucson, Norrköping (Sweden), Amsterdam, Maui (Hawaii) and Los Angeles, and will next go on to Miami, Bologna, and Berlin. Dave is without a doubt one of the most interesting artists working in the traditional American style. He does it with a passion and artistry that come straight from the heart and shine through in his tattoos. This cheerful and good-natured 29 year-old has athletic, all-American good looks . . . and is inseparable from his baseball cap!
ELVIA:
Tell us how you first got into tattoos, and how
you developed as an artist. DAVE:
I've been working at "Little Vinnie's
Tattoos" in Westminster, Maryland for about six years, but my passion for tattoos
started when I was a teenager. In fact, at age 16 I tattooed myself for the first
time, by hand, and did a few on my friends too. They were really hideous, I admit
it! I was already thinking, back then, that it would be great to tattoo for a
living, so at 18 I bought my first tattooing kit. Vinnie Meyers had recently opened
his tattoo shop near my house . . . I was unemployed at the time and, besides
having done plenty of tattoos on myself and my friends I'd also collected quite
a few drawings. So I decided to go to the studio and ask for a job. Vinnie said
he'd help me out in exchange for a few drawings, so the next day I went back with
a bunch of illustrations. He liked them, and that's how he started teaching me
the trade, and everything I needed to know about technique. I never dreamed I'd
be able to combine work with my love of drawing . . . but tattooing has given
me this wonderful opportunity. I make some money, I get to travel, and I have
a great time! That in short, is my life-story a real American tale! ELVIA:
Your style is decidedly "traditional", but with a difference a modern take on
classic tattoos. How did you become enamored with this style? DAVE:
It's simply the oldest, most traditional
style in American tattoos, and I think I've always loved it because to me these
are archetypal tattoos, timeless designs that will never go out of style. They
may be reinterpreted but they will always be the same, good old tattoos. I try
to combine my personal drawing style with classic subjects like panthers, eagles,
dice, pinups, swallows . . . I use my imagination to breathe new life into traditional
"on-the'wall" themed designs that have shaped the history of tattoos and which,
today, can be pleasing to the eye as well as filled with symbolic significance.
We get a lot of people coming into our shop-it's on the street where we normally
do custom work; one-off pieces. But many people come in and just pick out a flash
design from the wall, not knowing that we'll reinvent that drawing on their skin,
update it and make it more imaginative! The subject stays the same, but we give
it a new lease of life! ELVIA:
Perhaps not many people today appreciate the
traditional style . . . DAVE:
That's true, in a sense. Today lots
of people go for tribal designs, partly because it's a bit of a fad. Not everyone
likes traditional designs, because they can seem dated and don't leave much room
for creativity, but I think that's precisely their appeal. The main thing is that
a traditional tattoo really stands the test of time, much more than other styles,
because of its solid outlines and colours. The rest is a question of personal
taste. Anyway, today in America the traditional style is making a comeback, it's
being rediscovered and revisited, and I'm happy about that. . . there's a sort
of nostalgic revival, people want things from the past. But whereas in the 40's
and 50's you could choose from a limited number of designs that were executed
in a certain way, today we offer a more modern an imaginative take on those same
designs. The basic principles stay the same simple drawings, and so on but you
get greater visual impact. That's why they're gaining popularity, especially among
women who are now asking for traditional tattoos . . . and I think it's the perfect
style for women, because it's strong and feminine at the same time. ELVIA:
What are your favourite subjects? DAVE:
The whole classic American repertoire,
and some Oriental stuff. Lately I've been doing my own special version of a pinup,
a lot sexier and really stacked! When I was a kid I watched lots cartoons, so
I also like to do weird and wacky stuff like jumping eyes or living hamburgers
in a cartoony style. It's a mix of traditional and cartoons, with thick lines
and brilliant colours. ELVIA:
How is your studio set up now? DAVE:
There's Vinnie and me, obviously.
We do the big custom pieces. Then we have two other guys, Glenn and Matt, who
do the smaller-stuff for people who want something quick and simple, but always
in American traditional style. ELVIA:
Are there any artists that have inspired you
in some way? DAVE:
When I was younger I was fascinated
by the Oriental style and by artists like Don Ed Hardy, Eddie Deutsch, Paul Jeffrey,
etc. Naturally Sailor Jerry was the first artist to influence today's young tattooists
- he's our spiritual father! In fact, today there are artists my age who do marvelous
traditional pieces-names like Scott Sylvia and Jeff Rassier, whom I know personally,
and many others. These are people who aren't in this just for the money but also
because they truly believe in what they do. There's a lot of collaboration and
exchange of ideas, which I think is fantastic! After all, people with genuine
talent will endure through the years, while someone who pretends to be what he
isn't won't last very long. ELVIA:
What is Dave Waugh like as a person? DAVE: First
and foremost, I try to learn something new every day. Tattoos fill most of my
life, and the only thing I miss is not having enough time to draw. When I can,
I play the bass guitar . . . I'm in two bands. Music has always been my other
great love and there, too, I do a very traditional American style: it's called
"bluegrass" and it's a mix of rock'a'billy and country, played also with the banjo
and double bass . . . a really fast, rollicking sound that's sometimes a bit silly
. . . but a lot of fun! Music and tattoos have certainly made my life happier
and fuller. I get to travel and meet lots of wonderful people . . . I admit it,
I'm a happy man. What's more, I'm the father of an 8 year old boy, Dave Jr. who
loves my tattoos and may be a future artist. When he plays with temporary tattoos
he puts them on his hands and neck just like his dad . . . that's great! ELVIA:
You're almost completely covered with tattoos, including visible areas like the
neck and legs. Has this ever caused you any problems? DAVE: Sometimes I can't sense people's intolerance, they're the ones who remind me I'm covered in huge tattoos, I tend to forget about it. I don't like being stared at but unfortunately it happens. But I've chosen tattoos as a major part of my life, I can't complain. In fact, it's the really big tattoos that are my tribute to this art form. And if someone doesn't understand. . . tough, because I'm proud of them. Who knows, maybe one day tattoos will shield us from radiation. . . as well as from bigots.
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